The 15 Best Reverb Plugins for Every Mix Situation | LANDR Blog
When it comes to mixing down a track, one of the most common causes of muddiness is the use or overuse of reverb. Sounds with a light amount of reverb, and high volume like lead vocals , will get pushed to the foreground of your mix. Inversely, sounds with a heavier amount of reverb and low volume will get pushed to the background of your mix. For example, an ambient song might use a hall reverb with a long decay time to provide a song with an open and ethereal feel, while a pop song might use a plate reverb with a short decay time to keep all the elements feeling present, and in-your-face.
4 of the Best Reverb Plugins on the Market
When it comes to mixing down a track, one of the most common causes of muddiness is the use or overuse of reverb. Sounds with a light amount of reverb, and high volume like lead vocals , will get pushed to the foreground of your mix. Inversely, sounds with a heavier amount of reverb and low volume will get pushed to the background of your mix.
For example, an ambient song might use a hall reverb with a long decay time to provide a song with an open and ethereal feel, while a pop song might use a plate reverb with a short decay time to keep all the elements feeling present, and in-your-face. Some reverbs are better suited for specific tasks than others, which makes it essential to choose the right reverb for the job.
By applying a convolution reverb to your song, you can recreate how elements will sound in coveted spaces like the Sydney Opera Hall. One of the great benefits of convolution reverbs is that they give you access to spaces that you may not otherwise have access to. There are several different ways that a room can be modeled.
However, a popular method involves firing off a sine wave throughout a space, and recording how it interacts with the room using many different microphones. During post-processing, the sine wave is removed to leave a waveform that represents the reverb. This is the technique that Audio Ease used to design Altiverb, which is one of the most popular convolution reverbs on the market.
Altiverb’s IRs Page What makes Altiverb so unique is the accuracy with which the spaces have been recorded, and how alive every space feels. Altiverb is not your everyday vocal reverb plugin. Altiverb’s “Positioner” Panel Altiverb is also a great sound design tool for post-production engineers. Post-production houses rely heavily on convolution reverbs to simulate the reverb of spaces portrayed on-screen.
For the average user, it’s hard to justify spending this much on a reverb you might only use once every so often. They have a great line of plugins focusing on time-based effects, specializing specifically in reverb. Out of all of the reverbs that ValhallaDSP has released, Room is by far the most versatile and is my suggestion for anyone looking for an all-purpose reverb at a low cost.
When it comes to digital reverbs, Room sounds very organic and can fit a wide variety of material. What makes this plugin stand out is its simplicity. ValhallaRoom comes loaded with lots of excellent presets, and even the default patch sounds great. On the left side of the interface are five vertical sliders that provide the most commonly used reverb parameters, which include Mix, Predelay, Decay, High Cut, and Depth.
On the right side of the interface is a plethora of knobs that allow you to control other parameters for the late and early reflections of the reverb. This section also includes a modulation parameter that allows you to add a chorus effect. Room’s “Electric Blue” GUI When it comes to deciding on which reverb to use in my own projects, this reverb is often my first choice.
It sounds great when used in so many different ways and also uses minimal CPU; even when you have many instances of the plugin running within your project at once. Pretty much any sound can be instantly turned into a pad or atmosphere using this technique.
Although I most commonly use Room for sound design purposes, I often find myself using it in many different ways thanks to how versatile it is. There is also no animated display of the reverb’s energy over time, which is a nice visual feature that other plugins sometimes provide. This is not a make it or break it feature, but it does make Room slightly less visually appealing.
It also gives you the option to choose between 3 different color modes that emulate the tone and artifacts commonly heard in reverb units from the s, s, and present day. The mode downsamples the reverb, reducing the bandwidth to 10 kHz, which produces random artifacts and gives the reverb a darker feel. With the color selected, you get the full bandwidth and sample rate. Finally, there is the NOW color mode, which also has the full bandwidth and sample rate, but provides a cleaner, brighter sound, heard more commonly in today’s radio hits.
VintageVerb’s “s” Color Mode ValhallaDSP plugins rely on a two-dimensional interface and avoid the 3D knobs and sliders found on many other devices. VintageVerb changes its color scheme depending on which Color Mode is selected, each one representing the vibe of the era the Color Mode is emulating.
On the left of the interface are 3 knobs that control Mix, Predelay, and Decay, allowing for quick adjustments. On the right side of the interface, there are separate boxes for Damping, Shape, Diffusion, Modulation, and EQ controls. To top it all off, VintageVerb comes packed with many excellent presets. Is it a vocal? If the answer is yes, then this is my go-to reverb. That being said, this reverb is not just for vocals, and if this is the only reverb you have, it is an excellent reverb for many other purposes.
The reason that I gravitate towards VintageVerb strictly for vocals is that it has a classic tone found on the vocals of many older records.
This is by no means a subtle reverb, but it provides a tonally balanced lushness that is not overpowering, and still vibrantly cuts through the mix. Once you start including more vocals in your productions, you may consider adding VintageVerb as a dedicated vocal reverb.
One of their newer plugins is the Pro-R, which came out in late An all-around useful reverb for many purposes, the Pro-R takes the cake on best natural sounding digitally generated reverb. It provides you with a full 6-band EQ to control decay percentage at specific frequencies.
Finally, as a nice little bonus, the Pro-R displays parameter tooltips when you hover your cursor over different knobs and functions. The Pro-R’s Tooltip Feature For a digital reverb, the Pro-R does a great job of creating a very natural texture, which makes it an excellent choice for vocals and creating a space in your track. The presets are abundant and organized by room size, making it easy to cycle between different similarly sized spaces. Using the Distance knob as well as the Stereo Width knob to control the size and shape of the reverb, you can go from a massive soundscape to a small ambient space with ease.
Another unique feature that I often find myself using is the tempo synced pre-delay functions. The great thing about the pre-delay being tempo synced is that the reverb will activate in time with the tempo of your song. This might have something to do with the fancy interface, but maybe in the future, they will give the option to lower the reverb quality while you are working on a project.
Runner Up 1: I often find myself placing it on a track and turning the knobs randomly while also resampling to another track to see what unique textures it can create. Shimmer is a decent choice for an everyday reverb, but where it really shines is when creating unique atmospheres and textures.
With a huge sound, a simple GUI, and a low CPU strain, this reverb is great for putting that extra polish on sounds needing a sizeable reverb. The reason this is a runner up is that it would not be my first choice of reverb if you are in the market for a new all-purpose reverb.
Runner Up 2: With only 3 knobs Decay, Mix, and Low Cut plus a Mod switch which introduces slight modulation, you certainly do not have unlimited control over the sound. Although with the control you do have, you can still get many great sounds from this unit.
It is excellent at what it does do, but there are other similarly priced reverbs that can do a whole lot more. To learn more about effectively applying reverb to your productions, check out The Ultimate Guide to Reverb. Join the Black Ghost Audio group on Facebook; it’s full of producers currently working in the music industry who are more than happy to help you improve your productions.
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They’re happy to answer any questions you may have about recording, production, mixing, mastering, and music business. Derek Proch Derek has been playing piano and guitar since he was a child, and writing music his entire adult life. He makes up half of the electronic duo Paperwings, and is also an instructor at Icon Collective; a music production school in Los Angeles. Book a free music production lesson with Derek to learn more!
Listen: Valhalla DSP has come unstuck in time. ValhallaShimmer is an algorithmic reverb designed for BIG sounds. You will ride eternal, shiny and chrome. ValhallaPlate is our.
The 15 Best Reverb Plugins for Every Mix Situation
PSP Springbox Using spring reverbs will give you a sploshy, metallic reverb with lots of character. PSP Spring Box has a ton of control to dial in your perfect spring reverb sound. It can go from realistic vintage spring reverb to seriously weird textures. Where to use it?
Hello Bar Widget
What that means is that a third party plugin can be used on this DAW tool in much the same way as it can also be used on another host. As earlier mentioned, this tool is supported by a number of operating systems namely MacOS, Windows, Android, and iOS Music production can become a fun if you are using the right tool.
It saves you the time and energy that you would have put into getting some things done manually.
HOWTO VIDEO: 4 of the Best Reverb Plugins on the Market | Black Ghost Audio
ValhallaRoom is a versatile, true stereo algorithmic reverb. It. I am wondering what Valhalla reverb is right for me? There are three: Plate, Vintage and Room. I mainly doing Cinemtaic/Orchestral music. You will ride eternal, shiny and chrome. ValhallaPlate is our.